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Chameleons arent the only animals with the power to change their color. This book introduces eight of natures quick-change artists, including a spider that changes its color to blend in with flowers; an octopus that impersonates other animals by copying their color, shape, and behavior; and a fish that changes its colors as often as it changes its mood. Young readers will learn how these animals use their color-changing powers to stay safe from predators, hunt for food, or communicate with other animals. Eye-popping photos and clear, simple text bring these one-of-a-kind creatures to vivid life.

• Sales Rank: #2351684 in Books
• Brand: Brand: Bearport Publishing
• Published on: 2011-01-01
• Original language: English
• Number of items: 1
• Dimensions: 10.10" h x .20" w x 8.20" l, .61 pounds
• Binding: Library Binding
• 24 pages

Features

• Used Book in Good Condition

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0 of 0 people found the following review helpful.
Five Stars
By Amber
Great book, no problem with shipping.

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[Q401.Ebook] Ebook Free Essentials of Blood Banking: A Handbook for Students of Blood Banking and Clinical Residents, by Sr Mehdi

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This new edition of Essentials of Blood Banking brings students and residents fully up to date with the latest scientific and technological advances in blood banking and transfusion. The book begins with discussion on immunohaematology and different blood group systems. The following sections examine transfusion, screening, donors and storage. The second edition includes a new chapter on obstetrical transfusion practice, as well as fully updated guidelines on neonatal and paediatric transfusion. Key points * Fully revised, new edition bringing residents and students up to date with the latest advances in blood banking and transfusion * Includes new chapter on obstetrical transfusion practice * Diagrams, plates and tables enhance learning * Previous edition published in 2006

• Sales Rank: #1559482 in Books
• Published on: 2013-08-01
• Original language: English
• Number of items: 1
• Dimensions: 8.40" h x .40" w x 5.50" l, .87 pounds
• Binding: Paperback
• 112 pages

About the Author
SR Mehdi MD Professor of Hematology, Department of Pathology, Era's Lucknow Medical College, Uttar Pradesh, India

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1 of 1 people found the following review helpful.
Five Stars
By Roy Smith Jr
A must for all MLT students

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[X476.Ebook] Download Ebook Modern Systems Analysis & Design, by Jeffrey A. Hoffer, Joey F. George, Joseph S. Valacich

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For advanced undergraduate and graduate courses in Systems Analysis and Design taught from a business perspective. Modern Systems Analysis and Design offers separate coverage of Object-Oriented and Structured material giving instructors flexibility to choose the best way to connect the material with students.

• Sales Rank: #16454791 in Books
• Published on: 2000-08
• Original language: English
• Number of items: 1
• Dimensions: 10.25" h x 8.00" w x 2.75" l,
• Binding: Hardcover

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4 of 6 people found the following review helpful.
Excellent Reading
By Robert Jones
I am a Senior Systems Analyst and I found this book very practical and true to life. The methodologies are very succint. All of the fat is cut away and all that is left are the tools used to analyze and manage the IS project. I have often thought about writing a book on project management, analysis and design and if I did I think that I would end up with something quite similar to this excellent work. I give this book my highest endorsement.

1 of 4 people found the following review helpful.
Pffffffft!
By A Customer
This book reaks. It's about half full with almost true-to-life generalizations. The other half is weighted down with overly detailed jargon intelligible only to working systems analysts. If you're a student, don't sign up for any class using this text. You'd be better off spending a couple of days with a real analyst (cheaper and faster, too). Other than that, it makes a great hundred dollar paper weight. Save your money!

0 of 0 people found the following review helpful.
My opinions
By A Customer
I am quite disappointed with this book.
I have already included it in my "BOOKS FOR SALE" list.
Although it covered many many topics , but it doesn't provide enough details on each topic. There are not enough examples, too.
I really have doubt on the authors' knowledge.

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[L329.Ebook] Download PDF The Wise Man's Fear (Kingkiller Chronicles, Day 2)

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Will be shipped from US. Brand new copy.

• Published on: 1700
• Binding: Hardcover

Most helpful customer reviews

7 of 7 people found the following review helpful.
Get back to work and stop larking about!
By John R. Brownlee
Do not buy this book until the author completes the promised trilogy. He has been promising the third book for four years, but seems preoccupied in other pursuits and enjoying the accolades of his fandom. Upon completion of this book, I went online to discover when the final book was to be published and uncovered extensive dissatisfaction from amazon readers who began their vigil with patient anticipation, but became deeply cynical about the author's claim that the book was already written. I checked out the author's website and learned that he is heavily merchandising products based on the first two novels and one novella, but refuses to reveal when the final volume will be released. This has been going on for years and while I will probably buy the kindle version when it is released, I have lost faith in the author's work ethic, commitment to his readership, and reliability as a trusted author. Too bad, because I was enjoying the story.

0 of 0 people found the following review helpful.
A tremendous second act
By Nick
I've seen some of the negative reviews of this second volume of the kingkiller chronicle posted here. I don't dismiss them, as I feel that like most books this one is not for everyone. However, it certainly was a book for me, and found it to be at least as powerful, engrossing, and artfully written as The Name of the Wind. I'd first address a few of the things one may not like about it:

Assuming you've read The Name of the Wind you should know that The Kingkiller chronicle is not a story like, for instance, A Song Of Ice and Fire (Game of Thrones). The latter gains much of its power from rich world-building, a myriad of characters connected by intricate web-like plot-lines, and more than a few story events that are world changing on a grand scale. Rothfuss's story is more self contained, character-driven, and subtle, but if this is the kind of thing you can't get behind you probably didn't make it through The Name of the Wind anyway. Of The Wise Man's Fear more specifically, I've seen a few commenters who felt it was more a continuation of the first book rather than a true second act, that it didn't move the story along enough for their liking, and that too many questions seem unanswered going into the (as of now) unreleased third book. I felt strongly to the contrary of each of these, for the following reasons.

The Wise Man's Fear picks up right where The Name of The Wind left off, in the University, with Kvothe expanding on many of the prior novel's plot-lines. This is satisfying but not until later in the story do you truly appreciate that Rothfuss isn't just tying up loose ends and replacing them with new ones. Rather, he's laying the groundwork for much of what is to come. Indeed, when the story shifts settings about halfway through it feels somewhat abrupt, but later it becomes clear how this transition is part of a larger natural progression of what Kvothe's character needed to grow. Without spoiling too much, let it suffice to say that Kvothe spends time in a few new settings where he picks up different pieces of the man he is to become, specifically pieces he couldn't have gotten at the University. Many times Kvothe doesn't realize the ways each of these new encounters change and shape him until after the fact. As such, The Wise Man's Fear is very much a story of Kvothe growing from a man of raw and untapped potential into one who actually fulfills that potential, often through unsuspected turns. At one point early in The Wise Man's Fear he reflects that, while much of his reputation had previously needed to be fueled by showmanship and artfully crafted deceptions (think of the story that he doesn't bleed, which was really just the result a medicinal trick and a great performance), some of his newer exploits needed less embellishment. This proves prophetic, and by the end of the book he actually has to alter some of the stories he tells in the opposite way because he feels the whole truth of them is actually too fantastic to be believable, or sometimes too dangerous.

Through this all, we learn more about the Chandrian, the Amyr, the Fae, and other core mysteries in the story. No revelations are particularly explicit; most require some inference on the part of the reader. Rothfuss has a great knack for subtle storytelling, and I felt he did this even better in The Wise Man's Fear than the first book, especially in the second half. Much of what the reader learns of these mysteries doesn't actually provide answers to the story's core questions, but rather brings better into focus the questions themselves. This sets things up nicely for a third volume to bring things neatly together. Likewise, in the "present day" a deeper appreciation is gained for the anguished "third silence" of Kote and his current state of being. At the end of The Wise Man's Fear Rothfuss hasn't directly connected many more plot elements than at the end of The Name of The Wind; but rather all such elements are brought into much closer proximity to one another, leaving the reader with a satisfying feeling of a story slowly, subtlety, and steadily coalescing. This, to me, is the mark of any good second act.

0 of 0 people found the following review helpful.
Captivating read-- but wouldn't recommend for younger readers
By Art W.
*Spoiler Free Review*

I read "Name of the Wind" because it was so highly rated/popular and while I thought it was an okay book (but not great) I kept on going because a close friend vouched for the second book in the series. I read it without being biased by any spoilers or reviews from anyone else (beside my friend). As far as books go, I thought that, generally, it moved more quickly than the "Name of the Wind" and that more happened. In my opinion this made "The Wise Man's Fear" significantly better than his first one. Patrick Rothfuss knows how to write-- has a good vocabulary (I definitely had to look up a few words!) and keeps you engaged in the story.

So why only four stars? I have three problems with the book. 1.) It went from a fairly family-friendly book to a book with a lot of adult content pretty quickly and actually focused on that a lot. If let your pre-teen/teen kids read the first one you might want to check it out first before you hand this one over too them. Problem # 2.) Even though it plods less. . . it still totally plods. You could easily cut out 1/4 of the book and not miss much. 3.) Even though I respect the idea of having Kvothe tell his story to the Chronicler I felt that every-time we switched back to present-day Kvothe it caused a break in the book that was both unnecessary and distracting.

Overall, I did enjoy the book and plan on reading the 3rd book in the series when it comes out. For adults I would (in most cases) tell them that the second book is better than the first and encourage them to read it. For younger audiences, probably not really at all because of the more adult-themed content.

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This is the only full four-color introductory ceramics text available that combines a thorough appreciation of the aesthetics of ceramic art with extensive discussions of the history of ceramics as well as techniques for working in clay.

• Sales Rank: #183665 in Books
• Published on: 2003-07-25
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 10.80" h x 1.13" w x 8.50" l,
• Binding: Paperback
• 544 pages

Most helpful customer reviews

78 of 79 people found the following review helpful.
Comprehensive Reference To Ceramics
By Elyon
This became one of those costly book purchases students have come to resent: required for an introductory level class in ceramics, part of the core requirements towards a studio degree, expensively imposed on a class the bulk of whom will never continue on in ceramics, therefore ultimately destined to become a neglected text sitting on a dusty shelf or returned during university book buy-back for a pittance. This is a shame, as the book is one of the more comprehensive and beautifully put together texts of its kind, and had it been required of students whose clear intention was to go on in ceramics, its obligatory purchase would have been more valued and appreciated.
Containing information well beyond the scope of an introductory survey of ceramic processes, this book is densely packed with information, providing a historical and cultural overview of the use and development of one of the most ancient of the arts, as well as detailed discussions of its various forms and construction, the mixing of clays, the necessary chemistry, kilns, and clay's many glazings and firings. Appendixes and charts containing quite a number of recipes for both mixing clay and creating slips, colorants and glazes are provided at the back, encouraging experimentation, as well as a basic description of the chemical constituents encountered in ceramics. In terms of the latter, both within the text and the appendixes, concerns of potential toxicity are highlighted, providing valuable and essential information often overlooked when working with the potentially hazardous components present in most clays and colorants. Additionally, the authors provide encouragement as to how to easily recycle the environmentally unfriendly waste by-products associated with ceramics, along with helpful tips as to how to set up one's studio in a way that is at once utilitarian and environmentally sound, offering a list of governmental agencies and associations that can assist the ceramicist in addressing these concerns. In addition to providing through the appendixes further avenues for exploration on the part of those working with clay, the authors must be applauded for not ignoring or obfuscating the obvious safety and environmental concerns involved in working with ceramics.
Well organized and detailed, the text is also liberally endowed with photographs and drawings, providing clear visual examples of both the equipment and techniques the ceramicist may encounter, as well as beautiful color plates showing contemporary examples of noted artists' work using a variety of forms and processes. These plates exemplify the diverse and often stunning manner of expression that can be captured in clay, ranging from the sculptural and painterly to installation and multimedia. Their inclusion, along with the depth and breadth of information presented here, certainly justify the price asked for this text, and this book should grace the library or studio of any serious student or practitioner of ceramics. And, I suspect, there is enough information provided here to allow the student that has access to a studio and equipment to begin learning ceramics without the necessity of a classroom.

12 of 12 people found the following review helpful.
MUST READ
By Mr. M
Anyone getting into ceramic art must read this book. I really wish I had it when I began my venture into slipcasting. I knew nothing and used other sources for information when I could have saved time and frustration by reading this book. The part of the book on moldmaking was worth the price alone. The other moldmaking books I've read left a lot of blank spaces for the beginner. As a visual learner, this book is rich with pics and illustrations.It is comprehensive and something I will be using for many years to come.

32 of 40 people found the following review helpful.
Hands In Clay Volume IV
By Chloec
My college ceramics class had to buy this book. It's really good, the section on how to mix glazes using all of the different frits and stains is very informative. The pictures are inspiring, and the book also gives many techniques for throwing and handbuilding.

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[A417.Ebook] Free PDF Social Media: A Critical Introduction, by Christian Fuchs

Free PDF Social Media: A Critical Introduction, by Christian Fuchs

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Social Media: A Critical Introduction, by Christian Fuchs

Free PDF Social Media: A Critical Introduction, by Christian Fuchs

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Now more than ever, we need to understand social media - the good as well as the bad. We need critical knowledge that helps us to navigate the controversies and contradictions of this complex digital media landscape. Only then can we make informed judgements about what's happening in our media world, and why.

Showing the reader how to ask the right kinds of questions about social media, Christian Fuchs takes us on a journey across social media, delving deep into case studies on Google, Facebook, Twitter, WikiLeaks and Wikipedia. The result lays bare the structures and power relations at the heart of our media landscape.

This book is the essential, critical guide for all students of media studies and sociology. Readers will never look at social media the same way again.

• Sales Rank: #551146 in Books
• Brand: SAGE Publications Ltd
• Published on: 2013-12-27
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x 6.75" w x .75" l, 1.15 pounds
• Binding: Paperback
• 304 pages

Features

• SAGE Publications Ltd

Review
This is the most complete and wide-ranging discussion of social media there is. An introduction not only to social media, but to critical theory and how it relates to contemporary digital culture, this book astutely illuminates an increasingly important social phenomenon that has become an integral part of modern daily living. (Vincent Miller 2013-09-02)

Until now, philosophical contributions to understanding the newer media have been trivially apolitical. Finally, in the assured hands of Christian Fuchs, readers have a brilliant introduction to the field that is as astute as it is engaged. (Toby Miller 2013-10-09)

Christian Fuchs has turned his considerable talents to that rarest of academic creations: a truly, unabashedly critical textbook on a timely and important topic for contemporary media studies. If you want your students to think about issues of power and social justice, if you want to challenge them to re-imagine the world, and if you want an alternative to the anodyne and borderline fan-like writing that has become the stuff of new media texts, this is the book for you. (Mark Andrejevic 2013-09-12)

About the Author
Christian Fuchs is professor at and the Director of the University of Westminster’s Communication and Media Research Institute. He is also the Director of the Westminster Institute of Advanced Studies at the University of Westminster. He is editor of the journal /tripleC: Communication, Capitalism & Critique/ (http://www.triple-c.at) and author of more than 300 publications in the field of the political economy and critical theory of media, communications and the Internet.

He is a member of the European Sociological Association's Executive Committee. As well as /Social Media: A Critical Introduction/ (2014), he is the author of /Reading Marx in the Information Age: A Media and Communication Studies Perspective on Capital Volume 1/ (2016), /Culture and Economy in the Age of Social Media/ (2015), /Digital Labour and Karl Marx/ (2014), /OccupyMedia! The Occupy Movement and Social Media in Crisis Capitalism/ (2014), /Foundations of Critical Media and Information Studies/ (2011), and /Internet and Society: Social Theory in the Information Age /(2008).

Most helpful customer reviews

4 of 4 people found the following review helpful.
Best all-around introduction to social media as a field of ...
By Ancuta T.
Best all-around introduction to social media as a field of research and a social realm, excellent introduction to critical theory as well. However (and perhaps not the best thing to say about a book that takes a critical theory stand) I found it a bit too...critical- by which I mean lacking some nuances. Sure, surveillance, ownership and control of social media are essential questions and should not be ignored, but Fuchs pretty much throws to the ground any other existing approach to the study of social media (Castells, Jenkins etc). While it is the point of critical theory to fight ideologies and idealistic theories of society, in dismissing other approaches this book just becomes over-zealous in trying to install another ideology.
Definitely a must-read for anyone interested in social media, from any perspective (practitioners, academics, students, companies)- but read it in the same critical spirit in which Fuchs treats his subject.

6 of 6 people found the following review helpful.
A different point-of-view
By Carolyn B.
Although I, personally, disagree with much of Prof. Fuchs' postulations, this text is a necessary balance to the current social media obsession. My students were surprised at the level of corporate infiltration in, what they perceive as, a totally populist forum. Fuchs' perspective provides a much-needed NEGATIVE perspective to the uses of social media. While there have been many journal articles written by psychologists on the negative impact of social media's "isolation" and compulsive use, this is the only source I have seen that looks at the negative STRUCTURE of social media. TED talks abound re the capitalistic uses of social media and its economic potential -- and I'm all for that. However, we must also take a look at the "man behind the curtain" to have a well-rounded sense of social media's structure.

0 of 0 people found the following review helpful.
Marx and social media
By Amazon Customer
A very useful Marxist perspective on social media, highly critical of both Henry Jenkins and Manuel Castells, that reminds us that we must never forget ownership, power relations and possible exploitation of users whose digital footsteps are sold to the advertisers. I use this as one of several books on my undergraduate course in Media and Communication Studies entitled "Information and Communication Theory".

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