Polybourne: August 2013

Tuesday, August 27, 2013

[O619.Ebook] PDF Download SACRED IRELAND, TRAVELLERS GUIDE, by Cary Meehan

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This amazing book is the result of years of research of historical and archeological detail, legend and folklore, and current information on earth energies for each sacred site. Before the author's rediscoveries, most of the vast number of ancient sites were unknown or almost forgotten except by locals. Features: *Simple wells and stones *Local pilgrimage spots *Holy mountains, lakes and rivers *Sites created by the Auld Giants *Pre-Celtic Temples *Ancient churches and round towers

Sales Rank: #216412 in Books
Published on: 2015-02-25
Ingredients: Example Ingredients
Original language: English
Number of items: 1
Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.55 pounds
Binding: Paperback
712 pages

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44 of 45 people found the following review helpful.
An excellent field guide to Ireland's sacred sites
By Kevin M. Roddy
I was driving in rural Ireland in late September 2003 and was very interested in locating sites sacred to pre-Christian people. The Insight Guide to Ireland had a few mentions of sites of interest. However, to my luck that I discovered this book (the last copy) in a small bookstore in Westport, County Mayo.
What a find! The book was *exactly* what I was looking for, and was most fortunate that I discovered it early on, as I was going to spend at least one more week in the country.
The author's attention to historical detail as well as her fine directions to finding the sites are most noteworthy. What I also liked was her bias-free and academic approach to the subject. Christians, as well as Pagans like myself, will find the book a treasure trove of information. Other reviewers have extolled the book's other virtues, so I will go no further, except to say--if you're interested in Ireland's prehistory, folklore and legends, this book is a must have. [I paid thirty Euros (approximately $35) and Amazon sells it for half that price! But I would pay 35 Euros again if I had to--it's THAT good.]
I hope you will be as fortunate as I was to be actually in a car with this excellent reference in your lap, deciding which of the many holy wells, towers, stone circles, castles, cairns, fairy trees, fairy mounds, and other places that you'll visit next!

23 of 23 people found the following review helpful.
Useful information well done!
By Dale Overman
I'm planning my third trip to Ireland this October. In the past I have bought two other guide books to help me see the sights. They were okay but missed many of the old "pagan" prechristian sights of intrest. This book takes you the the Hill of Tara and Hill of Uisneach for the druidic fires of Beltane and Samhain. It tells you about the history of Ireland and her people from the stone age till the last century. And takes you to many,many, standing stones and sared sites allover Ireland. If you follow the druid path or have a deep intrest in ancient Ireland this is your tour book.

25 of 26 people found the following review helpful.
Great Sites; Directions Need Improvement
By Amy Cook
Meehan does a wonderful job of documenting and suggesting sites to visit. The ones we visited (that we could find) were great! However, the sites which aren't 'signed' (ie. listed as having signs pointing to it from the main road) are diffcult to find. Even some of the sites that are 'signed' aren't signed well, or consistently. Sometimes you'll have to guess at a cross roads, and if you don't get to the site, you'll have to backtrack and take the other. The problem we had most often is that the directions say to take a dirt road for about 1/2 mile (bring your metric conversion charts since they use kilometers in Ireland) and walk across a pasture at a cow gate. Sounds like an easy thing, until you get to Ireland and realize there are 25 cow gates on that particular road. We also found an error on a road number, which would have put us at least 30 miles in the wrong direction.
My suggestion--get this book! It really is a great one to have to plan your visit. But also get an Ordinance map, and plan on asking directions once you get to the nearest village. In addition to getting correct and more detailed directions, you may also be told about other sites not mentioned in the book! Some of the coolest places we went were suggested to us by locals!

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Sunday, August 25, 2013

[C337.Ebook] PDF Ebook Performing Music in the Age of Recording, by Robert Philip

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Listeners have enjoyed classical music recordings for more than a century, yet important issues about recorded performances have been little explored. What is the relationship between performance and recording? How are modern audiences affected by the trends set in motion by the recording era? What is the impact of recordings on the lives of musicians? In this wide-ranging book, Robert Philip extends the scope of his earlier pioneering book, Early Recordings and Musical Style: Changing Tastes in Instrumental Performance 1900–1950. Philip here considers the interaction between music-making and recording throughout the entire twentieth century.
The author compares the lives of musicians and audiences in the years before recordings with those of today. He examines such diverse and sometimes contentious topics as changing attitudes toward freedom of expression, the authority of recordings made by or approved by composers, the globalization of performing styles, and the rise of the period instrument movement. Philip concludes with a thought-provoking discussion of the future of classical music performance.

Sales Rank: #1555770 in Books
Published on: 2004-05-10
Original language: English
Number of items: 1
Dimensions: 9.42" h x 1.11" w x 6.44" l, 1.42 pounds
Binding: Hardcover
304 pages

About the Author

Robert Philip is lecturer in music, The Open University. He has extensive experience as a music performer, critic, broadcaster, and writer.

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1 of 1 people found the following review helpful.
A wonderful history.
By Barry D. Johnson
Many people think music should be a perfect as it is on our CD's. This hasn't always been the case and the quest for CD perfect performances has resulted in many cases in conservative, vanilla playing by many soloists these days. In this book the author takes pains to trace the history of performance back to the time before recording became out primary way of enjoying music. The quest for the "perfect" take or perfect performance resulted in a change in the way we enjoy music and what we expect in the concert hall. This author traces the development of performance practice via contempary reviews and programs to demonstrate how much the business of live perfromance has changed in the last century. The author takes a few side trips into "historically informed performance", and provides a detailed review of early recordings to demonstrate the change in tast that has taken place from a listener's viewpoint over the last centruy. Amply documented with some very detailed musical examples, this book would benefit from an listen along CD. But without the musical examples, any music lover with a strong base line knowledge of some essential muscial terms can greatly enjoy this book.

1 of 1 people found the following review helpful.
A must read for musicians and music lovers
By Jeffrey Solow
Not only a fascinating look at early recordings, but a deeply philosophical consideration of musical performance in general. Should be required reading for all music students.

9 of 16 people found the following review helpful.
For Charles Rosen a masterly description of the effect recording music has had on the playing of it
By Shalom Freedman
Charles Rosen in 'The New York Review of Books' considers this book to be a masterly description of the effect recording music has had on the playing of it. He mentions one major effect and that is the substitution of great precision in performance at the expense of a certain spontaneity and warmth.

Rosen then in his review goes on to discuss certain technical features of playing music( especially piano) and how they have been effected by recording.

This work is one especially suited for those who have real knowledge of classical music.

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Friday, August 23, 2013

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Sales Rank: #9471386 in Books
Brand: Hal Leonard
Binding: Sheet music

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Wednesday, August 21, 2013

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Since Superman first appeared in Action Comics #1 in 1938, the superhero has changed with the times to remain a relevant icon of American popular culture. This collection explores the evolution of the Superman character and demonstrates how his alterations mirror historical changes in American society. These essays examine Superman's patriotic heroism during World War II, his increase in power in the early years of the Cold War, his death and resurrection at the end of the Cold War, and his recent dramatic reimagining. This volume reveals as much about America as it does about the champion of Truth, Justice, and the American Way.

Published on: 2012
Binding: Comic

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Monday, August 19, 2013

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Sales Rank: #2790398 in Books
Binding: Unknown Binding

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Saturday, August 10, 2013

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Jungle Fever is a lush coffee-table book of David Vance's photography covering the subject of beautiful men, nude and seminude, in tropical jungle and studio settings.

Sales Rank: #1611947 in Books
Published on: 2014-02-01
Original language: English
Number of items: 1
Dimensions: 11.25" h x 9.00" w x .75" l, 2.20 pounds
Binding: Hardcover
112 pages

About the Author
David Vance has enjoyed a successful career photographing advertising and editorial assignments for more than forty years. His work has been published in Cosmopolitan, Entertainment Weekly, Interview, Health, Rolling Stone, Tennis, Uomo, and Harper's Bazaar, Italia. Among his clients are Revlon, Rolex, Sony, Atlantic, and Arista records. Nine books of his work have been published.

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4 of 4 people found the following review helpful.
Exotic, Erotic, Ephemeral...with a searing after burn!
By Grady Harp
David Vance is known to every lover of fine art photography. His list of monographs is rather astonishing - EROTIC DREAMS, HEAVENLY BODIES, TIMELESS, ATTRACTIONS PHOTOGRAPHS, VISIONS, THE ULTIMATE BOOK OF NUDES, THE WOODS - it is unlikely that there is any lover of great photography who doesn't won at least one of these. But even the most avid lover of David Vance's work will be astonished by this most recent volume - JUNGLE FEVER. The quality of models (always a plus with Vance's curatorial eye), the selection of a theme that is one to which all can identify is carried through with every image, and the creativity in finding accoutrements from the jungle habitat to serve as props to enhance the composition of these brilliant photographs is a pinnacle for Vance.

These richly color saturated images are of nude men who are perfect examples of masculine culture who are placed in context with the jungle them in ways so imaginative that they defy description. Palm fronds, lacerated leaves, wreaths of twisted branches, and actual jungle settings provide the atmosphere that displays the beauty of the men with lighting that embraces every object and model with steamy eroticism. Some of the models are painted with tribal insignias and elements of garb that suggest primal origins. Other images focus on men who are obviously gifted athletes - suspended in air on a single bamboo pole or pose with various forms of waterfalls.

The images are obviously carefully posed in order to gain the most sophisticated 'natural painting', but unlike other photographers who elect to stage poses Vance keeps his models focused on the message of the book - Jungle Fever. The first look at the book will doubtless be one of arousal, the second one of wonder at Vance's technical and artistic skill, and the third - well, call it unforgettable after burn. These images fail to leave the mind. This is a masterwork! Grady Harp, July 12

7 of 8 people found the following review helpful.
Juicy!
By david leddick
Juicy!Juicy!Juicy! David Vance's new book "Jungle Fever" is hotter and more beautiful than anything he's done yet. His models are great-looking (as they always are) and his photography superb (as it always is) but he's got these guys all stripped down in natural settings and it's his sexiest. Lots of full frontal and they are...up! You are going to love it. Get it.

5 of 6 people found the following review helpful.
Stunning, a true vision
By kevin william king
When I held a promotional copy of this book in order to write the introduction for David, I could only imagine how spectacular it would be to hold the book in its full printing. Now, I am thrilled beyong my highest expectations. This new book by David Vance is the last word in coffee table photography books. It sits on mine, and I find myself going back to it, every time i'm in the room.I am never disappointed.

That David is the best of the best, goes without saying..that he is an artist's artist......but, here in Jungle Fever, he tops himself. There really is nothing like this book out there. You'll have to buy it...you must, in order to enjoy its many joys, its artistic vision, its breathtaking sensuality.If you crave, and admire, beauty as do I, this is the book.

There is just one David Vance....he was working well before the others, Bianchi, Ritts, and Weber...and still he's never stopped his imagination, and his ongoing growth, he's as wise as a master, and as young as a colt; forever fascinating......Jungle Fever is a classic, it was already ,even on the printing presses.....and now it's ours.

Trust me, buy it, and you, too, will never be disappointed.....

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Sunday, August 4, 2013

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Sales Rank: #10829330 in Books
Published on: 2000-09
Original language: English
Number of items: 1
Binding: Paperback
36 pages

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Saturday, August 3, 2013

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Speech act theory has taught us "how to do things with words." Arresting Language turns its attention in the opposite direction—toward the surprising things that language can undo and leave undone. In the eight essays of this volume, arresting language is seen as language at rest, words no longer in service to the project of establishing conventions or instituting legal regimes. Concentrating on both widely known and seldom-read texts from a variety of philosophers, writers, and critics—from Leibniz and Mendelssohn, through Kleist and Hebel, to Benjamin and Irigaray—the book analyzes the genesis and structure of interruption, a topic of growing interest to contemporary literary studies, continental philosophy, legal studies, and theological reflection.

Beginning with an exposition of H�lderlin's rigorous account of interruption in terms of the "pure word," in which the event of representation alone appears, Arresting Language identifies critical moments in philosophical and literary texts during which language itself—without any identifiable speaker—arrests otherwise continuous processes and procedures, including the process of representation and the procedures for its legitimization. The book then investigates a series of pure words: the fatal verdict (arr�t) of divine wisdom in Leibniz, the performance of Jewish ceremonial practices in Mendelssohn, the issuing of unauthorized arrest warrants in Kleist, fraudulent acts of storytelling in Hebel, the eruption of tragic silence and the "mass strike" in Benjamin, and the recurrence of angelic intervention in Irigaray.

At the center of this volume is a detailed explication of Benjamin's effort to transform Husserl's program for a phenomenological epoche into a paradoxically nonprogrammatic, paradisal epoche, by means of which the structure of paradise can be exactly outlined and the Messianic moment—as the ultimate event of arresting language—can at last appear to enter into its own.

Sales Rank: #2379865 in Books
Published on: 2002-11-01
Original language: English
Number of items: 1
Dimensions: 9.00" h x .90" w x 6.00" l, 1.19 pounds
Binding: Paperback
400 pages

From Library Journal
Language is so complex that it can inhibit or even stop the process of communication, according to Fenves (German and comparative literary studies, Northwestern Univ.). He demonstrates this idea in eight unique essays examining the writings of a variety of philosophers and literary figures, chiefly from Germany. Regarding clear communication and the idea of divine revelation in language, Fenves dissects the complex views of Leibniz and Mendelssohn. In addition, through the writings of Johann Peter Hegel, Heinrich von Kleist, Walter Benjamin, and Luce Irigaray, he presents intriguing examples of plot and dialog, such as perceiving a rainbow's colors or issuing an illegal police warrant. Five of the eight essays are revisions of works previously published. While they address related questions, the essays do not directly build upon one another. As a result, readers may be intrigued but feel that the inquiry lacks focus. Because Fenves incorporates many German words and philosophical terms into a dense writing style, his work is most accessible to philosophy graduate students and scholars. Recommended only for large academic or specialized collections. Marianne Orme, Des Plaines P.L., IL
Copyright 2002 Reed Business Information, Inc.

Review
"Eight unique essays . . . recommended for lage academic or specialized collections."—Library Journal

From the Inside Flap
Speech act theory has taught us “how to do things with words.” Arresting Language turns its attention in the opposite direction—toward the surprising things that language can undo and leave undone. In the eight essays of this volume, arresting language is seen as language at rest, words no longer in service to the project of establishing conventions or instituting legal regimes. Concentrating on both widely known and seldom-read texts from a variety of philosophers, writers, and critics—from Leibniz and Mendelssohn, through Kleist and Hebel, to Benjamin and Irigaray—the book analyzes the genesis and structure of interruption, a topic of growing interest to contemporary literary studies, continental philosophy, legal studies, and theological reflection.
Beginning with an exposition of H�lderlin’s rigorous account of interruption in terms of the “pure word,” in which the event of representation alone appears, Arresting Language identifies critical moments in philosophical and literary texts during which language itself—without any identifiable speaker—arrests otherwise continuous processes and procedures, including the process of representation and the procedures for its legitimization. The book then investigates a series of pure words: the fatal verdict (arr�t) of divine wisdom in Leibniz, the performance of Jewish ceremonial practices in Mendelssohn, the issuing of unauthorized arrest warrants in Kleist, fraudulent acts of storytelling in Hebel, the eruption of tragic silence and the “mass strike” in Benjamin, and the recurrence of angelic intervention in Irigaray.
At the center of this volume is a detailed explication of Benjamin’s effort to transform Husserl’s program for a phenomenological epoche into a paradoxically nonprogrammatic, paradisal epoche, by means of which the structure of paradise can be exactly outlined and the Messianic moment—as the ultimate event of arresting language—can at last appear to enter into its own.

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7 of 9 people found the following review helpful.
A must
By A Customer
An extraordinarily lucid, erudite, and dense work that treats
some of the seminal figures of German modernity - from Leibniz
onward - with uncompromising philosophical seriousness and
originality. The chapter on Benjamin and the paradisal epoche
is one of the few works in recent years to offer any new
insights on this immensely popular, but often superficially
discussed, figure. Also noteworthy is the daring interpretation
of Leibniz, expanded from an earlier version in MLN, which
constructs a rigorous theory of antonomasia, relating it to
central problems in the Classical and modern theory of language.

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Friday, August 2, 2013

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Published on: 2014
Binding: Hardcover

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