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King of Thorns (The Broken Empire), by Mark Lawrence
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The boy who would be king has gained the throne...
At age nine, Prince Honorous Jorg Ancrath vowed to avenge his slaughtered mother and brother—and to punish his father for not doing so. At fifteen, he began to fulfill that vow. Now, at eighteen, he must fight for what he has taken by torture and treachery.
Haunted by the pain of his past, and plagued by nightmares of the atrocities he has committed, King Jorg is filled with rage. And even as his need for revenge continues to consume him, an overwhelming enemy force marches on his castle.
Jorg knows that he cannot win a fair fight. But he has found a long-hidden cache of ancient artifacts. Some might call them magic. Jorg is not certain—all he knows is that their secrets can be put to terrible use in the coming battle...
- Sales Rank: #16022 in Books
- Brand: Brand: Ace
- Published on: 2013-07-30
- Released on: 2013-07-30
- Original language: English
- Number of items: 1
- Dimensions: 6.75" h x 1.13" w x 4.13" l, .45 pounds
- Binding: Mass Market Paperback
- 432 pages
- Used Book in Good Condition
From Booklist
It’s been four years since Prince Jorg avenged his mother’s death by killing his uncle and taking his throne. In that time, the young prince has matured mentally and physically and has prepared his small mountain kingdom for war. Opening with the arrival of an army of more than 20,000 soldiers and Jorg’s hasty wedding to a young princess, the novel is split between the war in the present and lengthy flashbacks to earlier years; the source of the flashbacks is a mysterious copper box that Jorg keeps with him at all times. The box, which holds the king’s memories, is designed to keep his past safe from his dream-walking enemies. Lawrence masterfully builds tension here, using the few frantic days of battle as the framework for his larger story. Readers who first met Jorg in Prince of Thorns (2011) will cheer for the return of one of fantasy’s most violent, yet strangely likable, antiheroes, and those new to his story will find it easy enough to start here (but they will be eager to jump back to book 1). Set hundreds of years in the future after a disaster ended the time of the Builders, this is epic fantasy only lightly touched by science fiction, and the combination of dark fantasy, male characters, and plenty of violence makes it a perfect read-alike for fans of Brent Weeks and Joe Abercrombie. --Jessica Moyer
Review
“Mark Lawrence is the best thing to happen to fantasy in recent years.”—Peter V. Brett, international bestselling author
“Shockingly raw…Horribly amazing, like a deadly storm I just couldn’t escape or want to tear my eyes away from.”—Night Owl Reviews
“Dark and gritty.”—Library Journal
“Brilliant…Action-packed throughout with a surprising spin.”—Genre Go Round Reviews
About the Author
Mark Lawrence�is a research scientist working on artificial intelligence. He is a dual national with both British and American citizenship, and has held secret-level clearance with both governments. At one point, he was qualified to say, “This isn’t rocket science—oh wait, it actually is.” He is the author of the Broken Empire trilogy (Prince of Thorns,�King of Thorns, and�Emperor of Thorns) and the Red Queen’s War trilogy (Prince of Fools,�The Liar’s Key, and�The Wheel of Osheim).
Most helpful customer reviews
35 of 37 people found the following review helpful.
Better than the first
By little_elf10
I just finished Mark Lawrence's, "King of Thorns" last night, and I must say that while I enjoyed "Prince of Thorns," it's predecessor, the sequel solidified my admiration of Lawrence as an up and coming fantasy author.
Lawrence is gutsy, to say the least. In the first book, he chose to tell a conflicted coming of age story, but in reverse order, starting with Jorg and his band of brutal, unmerciful bandits raping and pillaging the land, only giving the backstory of the troubled Prince of Ancrath later. Lawrence must have known that he would lose readers - especially those who found Jorg's morality, or lack there of, a little too much to handle. We eventually got our explanations and the origin story for his sociopathic nature. Still, as a reader, Jorg was difficult to identify with because of the shock of the first half of the book.
Enter the second book. Here, Lawrence gives us much more backstory and situates Jorg with character-types we weren't privy to in the first - characters that remind Jorg that human lives might indeed be worth something. In this context, Lawrence gives us several emotionally gut-wrenching scenes, offering us glimpses into the complexity of Jorg's character. Readers who did not enjoy the first book should definitely try the second. Very rarely do authors make readers bleed the injuries suffered by their characters, and Lawrence does that successfully in several scenes.
The book is told in two primary time frames, the present, while Jorg is 18, and 4 years prior, directly following the events of the first book. Interspersed between these time-jumps were diary entries told from Katherine's perspective. As several other reviewers have noted, the initial 100 pages were a bit difficult to navigate, primarily because in addition to time-jumping, the reader had to figure out where the story actually was in each of those time points. This was not a problem with the latter half of the book.
Supporting characters were well-flushed out. Katherine, in particular, has developed tremendously, and we also get introduced to an additional strong female lead.
As with the first book, the mythology of a post-apocalyptic world was rich, and the juxtaposition of ghosts, trolls, and machines certainly makes the story less predictable.
In sum, "King of Thorns" outdoes its predecessor. I certainly recommend picking up a copy. Lawrence is unpredictable and one of the most interesting fantasy authors to read.
56 of 62 people found the following review helpful.
The Broken Empire Series
By Beatmuppet
King of Thorns (#2 Broken Empire) by Mark Lawrence.
Hmm, What to say about this Author and this series, without spoiling any of the twists or surprises. Book one, Prince of Thorns was one of the surprises of 2011. If you didn't get it on your to do list you should add it now. I'll wait while you do.
Ok? Done?
At it's essence, this series is a VERY dark and violent tale, told first person, from the point of view of Jorg the young and disturbed ringleader of a brutal band of wandering misfits (Brothers), that, for want of a better description, go round raping and pillaging and murdering whomever they like, and unashamedly, loving every minute of it.
I did say it was dark.
It's not grotesquely violent. It's not horror, but it does not 'hollywoodize' the violence. Its real and raw. It's the Tarantino of Fantasy. The violence is somewhat confronting because Jorg is so calm about it. It's not an angry reacting to an insult. It's not vicious self defence. It's not heroic winning after an honourable sword-fight. If that guy is annoying, or smiles oddly, and needs a dagger pushed gently into his eye, then that's what he gets.
It's not all violence though. I'm just giving you fair warning that there's some moments in there that may turn your nails black (in a good way).
It is, in a way, the journey, both physical and mental, of Jorg, as he discovers where he came from and remembers what made him as he is. It's actually pretty insightful.
It could be the journey of a boy becoming a man. A man learning to control the primitive angry beast that wriggles in the shadow of many of us.
There's some superb humour stirred into the mix as well. I do get a big kick out of black humour.
Mark Lawrence has a wonderful writing style, that suits this tale.
It's sparse and bleak. It almost misleading in it's apparent simplicity, but then you realise he's painting a very clear scene.
It's a naked grey sketch, stepping quietly along without heavy description but then he will slip in a line so masterfully crafted, so beautifully colourfully detailed, that it's like a punch in the face with a bunch of flowers.
The beauty stands-out all the clearer against the bleakness. The good in people stands out against all the bad that can happen.
Maybe it's a look at what is evil?
Maybe it's just Lawrence testing what we are allowed to write?
Many good books have tested boundaries in the past.
Maybe Jorg is just a broken, disturbed, detached young man.
Maybe he's just a cool character to writer and that's it?
Lawrence makes you feel like a child discovering a frozen puddle on the way to school. The pure pleasure of breaking something perfect. The natural joy of not being burdened by consequence.
Either way.
This is a great writer and an engrossing series with a difference, not just because of its dark moments, but because of its surprising twists and revelations.
This is a series well worth a look by fans of Fantasy, Science Fiction, Alternate History and Post Apocalyptic, or just damn good writing.
12 of 12 people found the following review helpful.
A bigger book than the first in every respect
By Bob Milne
I opened my review of Prince of Thorns, book 1 of The Broken Empire saga, by saying:
"Damn, but this was one hell of a book!"
I would like to begin this review in a similar spirit, by saying:
"Damn, but this was one hell of a book to review."
I've let it settle and digest for a few days, but I'm still very conflicted in my thoughts regarding King of Thorns. Mark Lawrence has improved upon many aspects of that first book, particularly in the areas of character development and world-building, but the converging paths of the narrative structure that didn't work so well for me this time around.
Generally, I'm not a big fan of stories that jump back and forth in time, balancing flashbacks with the 'current' or 'present day' narrative. It's just not a device that works for me. Having said that, it did work for me in the first book, largely because Jorg was such a unique sort of protagonist that I was truly interested in just what happened to place his feet upon such a path. Here, the 'present day' narrative jumps ahead four years, forcing a gap that allows for the same device to be used again. The problem is, with my curiosity about Jorg's origins already sated, the flashbacks here lacked the same drawing power. As much as I appreciate what Lawrence attempted to do with the copper box - I thoroughly enjoyed the way in which his banked memories altered the course of battle - I didn't find the 'big' memory a compelling enough mystery to justify taking us away from the events of his wedding day.
Of course, it doesn't help that the story of Jorg's wedding day is such a strong story on its own. Taking place over the course of a single day, it develops his character, advances the plot, and resolves several key conflicts in exemplary fashion. Here we have a few moments of courtship, a rushed marriage, a siege, a quest, and a battle - more than enough to carry a tale. Once again, Jorg and his band of brother face impossible odds, but find novel and exciting ways of stealing the upper hand. This is fighting dirty, as we'd expect, but it works.
Speaking of fighting dirty, the climax is another aspect of the tale about which I'm conflicted. It's completely in keeping with Jorg's character, and brilliantly resolves some of the larger challenges facing his march to the ultimate throne, but once again it relies upon artifacts of Builder technology. I'm honestly not sure whether I like that pattern. It intrigues me and excites me, and I love the Dark Tower way in which the ghosts of the past have both a significance and an enduring sense of peril, but it just felt a little to convenient here, a little too much of a stretch. Ultimately, whether it's a clever device or a bit of a cheat is something I really can't say until I see how Emperor of Thorns is resolved. I would actually be disappointed not to see it attempted again, but the 'how' and the 'why' of it will mean everything.
I would, of course, be remiss not to say a few words about the women of the world. While her diary entries didn't necessarily add anything to the narrative for me, it's clear that Katherine is being pressed into a pivotal role. Not only is she quickly becoming a key piece in the overall game of thrones, but the significance of her thorn in Jorg's side continues to grow. As for his child-bride Miana, she was a pleasant surprise, worthy of not just her place in the story, but also of a place as Jorg's side. I expected very little of her going in, but began to like her early on, and definitely respected her contributions by the end. Chella, as we might expect, continues to play a role in events, haunting Jorg's thoughts and driving him into confrontation with the dead. The scene in which she forces a confrontation with the ghosts of his genocide amid the marsh and the mud is just awesome, and almost enough to redeem my conflict about the dueling narratives.
Overall, King of Thorns is a strong read, and a worthy sequel to Prince of Thorns. Despite my conflicts with the telling of it, I enjoyed it immensely, and actually stayed up late to read the final 200+ pages. The cast of characters has grown, Jorg has grown, the world has grown, and the stakes have grown. A bigger book than the first in every respect, this is a tale that leaves even bigger expectations for Emperor of Thorns.
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